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Today, I’m excited to debut the first edition of The Good Times Message, a regular look at some of the hottest Transmission shows on the horizon.

Through the generations, Pachanga has come to mean a great deal of things. Taken as a name for styles of music, dance, and a general good time, a pachanga is above all a party and a big one at that. This Friday and Saturday May 11 and 12 marks Austin's 5th annual Pachanga Fest, the city's foremost celebration of Latino music, arts, food, and culture. With over 20 artists on 2 stages, Pachanga Fest boasts a varying line up of Latin artists with a wide range of musical styles and attitudes from the alt country of Austin's own Alejandro Escovedo to the indie rock of Girl in a Coma to the fusion of Los Lonely Boys to the traditional sounds of Chico Trojillo. Food vendors include tacos from Izzoz Tacos and La Fantabulous Taqueria, kabobs from Verts, bratwursts from Bestwurst, specialty milkshakes from Handshakes, Kettle corn from Gold Star Kettle Corn, shaved ice and funnel cakes from Snowie, paletas from Mom & Pops, as well as food from Serrano’s and Port-A-Café. Pachanga Fest begins this weekend on Friday May 11 at Fiesta Gardens, so come out and join the pachanga.
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Today: Jon Loyens’s Firsts! This time, we examine what inspired Jon “The Sledge” Lyons from The Midgetmen. The local 4-piece celebrates 10 years of punk ‘n’ roll on Friday, May 18th at The Mohawk - besides a set o’ originals outside at 11:15, the band will also perform “Weird Al” Yankovic’s 1985 classic Dare To Be Stupid in its entirety inside at 12:45! Scope out the poster further below for the full line-up/

The Mid-May Edition (Please contact for any interview requests or if you want to offer any ticket giveaways etc.)
5/12 - Dwarr is the 27 year solo project of Gearhead
recording artist Dwayne Warr. 5 day tour is his
first ever and kicks of at R7, ending in South Carolina with Black Bananas (members of Royal Trux/RTX)
and Magik Markers. Magik Markers have toured the US with Sonic Youth
in 2001 and their most notable record (Boss) was engineered by Sonic
Youth's Lee Renaldo on Ecstatic Peace Records (Thurston Moore's record
label).
FB Event Page
5/13 - Former J Church/Rat King/Ultimate Dragons
guitarist and current Modok guitarist/music instructor David Didonato is convinced he can
defeat the current Guinness Book of World Records streak for the longest
guitar solo of all time (currently at 24 hours and 18 minutes). Red 7 will be open from 5pm-2am on Sunday May 13th and will reopen at noon the next day for
anyone who wants to come by and check out David's "wailing".
FB Event Page
5/17 - NYC turned ATL hip hop icons Dead Prez return to
Red 7. Most well known for their confrontational politics and
confrontational views on racism, DP are one of the most unapologetic and
talented hip hop grounds to date. Supporting them include local
Bollywood influenced "Bangaar", SKP, Worldwide (San Antonio) and DMG$ (Dallas). (Co presented by our friends at Knuckle Rumbler).
FB Event Page
5/18 -The Stitches return to Austin with FFF Fest
veterans Ch 3. Lower Class Brats and Fleshlights support,
representing 2 generations of legendary Austin punk rock acts.
Poster
5/18 - Brooklyn Expiremental/Noise Kings Black Dice return to Austin for the first time in 7 years with locals Zorch,
Marriage, Ranking Cory & Dishy.
FB Event Page
5/19 - Original Lead Singer for the DropKick Murphys Mike
McColgan's Street Dogs from Boston play outside. Supporting acts include
Black Irish Texas, Black Eyed Vermillion and Bassline Bums.
Thanks!

Fans could feel Sarah Jaffe’s affinity for Austin before she even played her first song.
“I am so, so happy to be here,” the Denton-based singer-songwriter exclaimed to a sold-out crowd at The Parish Friday night, pulling her bass guitar over her teased bleached hair. Friday’s show marked the band’s first night of their summer tour.
The Body Wins, the follow-up to Jaffe’s 2010 debut Suburban Nature, was released just last month—though it didn’t seem so new according to the crowd; fans were singing along with Jaffe’s every word, on new songs like opener “Sucker For Your Marketing” and infectiously danceable single “Glorified High.”
I’d seen Jaffe last spring, and noticed an instant difference in the songwriter’s updated live set: Friday’s show was electric and tech-driven, including two keys players, one of whom juggled effects on a propped-open laptop.
Jaffe appeared chicer in general—clad in all white, and sporting an edgy, pompadour hairstyle.
She seemed to have matured since the last time I’d seen her—both musically and personally. She was gracious onstage, yet visibly comfortable and coolly confident. Her new songs translated well live, for the most part—her upbeat songs livened-up her growing sea of slow tunes, which I appreciated toward mid-set.
Though mostly showcasing her new material, Jaffe also revisited some Suburban favorites like “Clementine,” and the sugary-sweet “Vulnerable,” with which the crowd sang along. “I love that,” she said between lyrics, smiling. “Go ahead—sing with me.”
Jaffe was repeatedly complimentary of her adoring crowd—and of Austin, in general.
“I don’t think we could have asked for a better first night,” she said, later pointing out her Texas-centric bill (which included ZHORA and John Singer Sergeant). “Texas music, y’all,” she smiled.
The feeling appeared mutual among the crowd, who seemed more than pleased to claim Jaffe as a fellow Texan.
“Your love and support is appreciated,” she beamed, before closing out her first set with The Body Wins’ title-track.
“This is all I could fucking ask for.”